Trinity Music war in den Jahren 20 als programmatischer und produzierender Veranstalter für das Museumsinselfestival verantwortlich und hat seit 2005 die Zitadelle Spandau als eine der außergewöhnlichsten und gefragtesten Open Air Locations Berlins erschlossen und etabliert.
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Mit annähernd 1000 Events pro Jahr, vorrangig Konzerte im Rock und Popbereich zählt Trinity Music zu den größten Marktteilnehmern in der Konzert- und Eventbranche Berlins.ĭie Veranstaltungen finden sowohl im Clubbereich, als auch in den größten und renommiertesten Spielstätten Berlins statt.
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You can stream it free from Echoes affiliate stations or catch it on demand with Echoes On-Line.Die Firma Trinity Music GmbH ist ein seit 1998 in Berlin tätiges Veranstaltungsunternehmen. Hear Agnes Obel playing live on Echoes Friday 10/07/11. We’ll be featuring Agnes Obel’s Philharmonicson Echoes Monday, January 3 and the following weekend. But Echoes CD of the Month Club members will be receiving some of the few physical CD copies in the country. Right now, Philharmonicsis only available on iTunesin the US. It’s only January, but Agnes Obel’s Philharmonicsis already simply the most beautiful album of the year. Philharmonicstakes a symphonic name, and it sits comfortably among a new generation of ambient chamber musicians like Ludovico Einaudi, Tim Story and Nico Muhly, not to mention Steve Reich and Michael Nyman. That theme continues into “Avenue” a song about wrong choices we make, even when we know they are wrong. Philharmonicsis peppered with a handful of instrumentals like “Louretta” with a circus electronic keyboard sound that could fit in a John Carpenter Halloween score until Obel brings in piano and makes it haunting rather than frightening. That’s the case with “Close Watch,” a cover of John Cale’s “I Keep A Close Watch.” Over what sounds like a prepared piano or muted guitar, Obel builds this poignant work from yearning to heroic with the contrapuntal choirs of her voice. One sign of a true artist is when they can take someone else’s song and make it wholly their own. Obel’s lyrics are ambiguously oblique, approaching her subjects from odd angles like the coy “Beast,” a song of pursuit and abandon that will have you hitting repeat to glimpse its curious and addictive chorus. Obel plays keyboards and guitar, deploying them in zen minimalist canons across slow moving cellos. Her songs have a stark simplicity with almost childlike accompaniment, but like Yann Tiersen’s Amélie score, there is depth and portent between those spare, melancholy notes. Now living in Germany, Agnes Obel has that ethereal, mournful sound we’ve come to know and love from Nordic singers like Anna Ternheim and Emiliana Torrini. And so goes all of Philharmonics, a subtlety powerful and singular debut. Singing over a spare cyclical piano riff, she deftly layers her voice into plaintive harmonies that will have you swimming in her bittersweet stream. A heartbreaking song about the ebb, flow and emotional turmoil of life’s currents, Obel brings her lilting, slightly slurred soprano to bear on lyrics of memory and loss. If only for the second track, “Riverside,” the Danish born singer will be in your head forever on first listening. Hear Agnes Obel playing live on Echoes Friday 10/07/11įrom the first nursery rhyme piano solo, “Falling, Catching” to the last breathy vocal of “On Powdered Ground,” Agnes Obel’s debut album, Philharmonics, has captured my melancholy midwinter mood like no other. Minimalist songs of melancholy from Denmark with Echoes January CD of the Month